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Saang, also known as Swang (meaning "imitation") [1] or Svang, is a popular folk dance–theatre form and a traditional style of storytelling in Haryana, Uttar Pradesh, Rajasthan and the Malwa region of Madhya Pradesh. [2]
[10] [13] Garba which is the renowned folk dance of Gujarat is an integral part of Navratri Celebrations.It has earned the 'Intangible Cultural Heritage of Humanity (ICH) tag from Unesco. The garba of Gujarat is the 15th ICH element from India to be inscribed on the Unesco list. [14] The Tippani dance originated in the Chorwad region of ...
The country-side or desi (native) form of Haryanvi music is based on Raag Bhairvi, Raag Bhairav, Raag Kafi, Raag Jaijaivanti, Raag Jhinjhoti and Raag Pahadi and used for celebrating community bonhomie to sing seasonal songs, ballads, ceremonial songs (wedding, etc.) and related religious legendary tales such as Puran Bhagat.
The dance has its own type of songs and rhythms. The dance is performed by rotating round and round at a fixed place while singing the Jhijhiya songs. [10] The songs are accompanied by music from folk instruments such as Dhol, Manjira, etc. There are two types of songs sung while performing the dance.
Nritya is broadly categorized as one of three parts of Sangita, the other two being gita (vocal music, song) and vadya (instrumental music). [3] [4] [5] These ideas appear in the Vedic literature of Hinduism such as the Aitareya Brahmana, and in early post-Vedic era Sanskrit texts such as the Natya Shastra, Panchatantra, Malvikagnimitra and Kathasaritsagara.
Early development of modern Hindi theatre can be traced to the work of Bharatendu Harishchandra (1850–1885), a theatre actor, director, manager, and playwright based in Varanasi (Banaras), who is also the father of modern Hindi literature as in his short life of 35 years, he edited two magazines, Kavi vachan Sudha and Harishchandra chandrika, wrote numerous volumes of verse in Braj bhasa ...
Mujra is a dance performance by man/woman in a format that emerged during Mughal rule in India, where the elite class and local rulers like the nawabs of the Indian society (often connected to the Mughal emperor's court) used to frequent tawaifs (courtesans) for their entertainment.
It exists in almost every dance. Walks approximately correspond normal walking steps, taking into the account the basic technique of the dance in question. (For example, in Latin-dance walks the toe hits the floor first, rather than the heel.) In dance descriptions the term walk is usually applied when two or more steps are taken in the same ...