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Optical format is a hypothetical measurement approximately 50% larger than the true diagonal size of a solid-state photo sensor.The use of the optical format means that a lens used with a particular size sensor will have approximately the same angle of view as if it were to be used with an equivalent-sized video camera tube (an "old-fashioned" TV camera).
Film-out of standard-definition video – or any source that has an incompatible frame rate – is the up-conversion of video media to film for theatrical viewing. The video-to-film conversion process consists of two major steps: first, the conversion of video into digital film frames which are then stored on a computer or on HD videotape; and secondly, the printing of these digital film ...
The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
The common 1" outside diameter circular video camera tubes have a rectangular photo sensitive area about 16 mm on the diagonal, so a digital sensor with a 16 mm diagonal size is a 1" video tube equivalent. The name of a 1" digital sensor should more accurately be read as "one inch video camera tube equivalent" sensor.
35 mm film is scanned for release on DVD at 1080 or 2000 lines as of 2005. The actual resolution of 35 mm original camera negatives is the subject of much debate. Measured resolutions of negative film have ranged from 25–200 LP/mm, which equates to a range of 325 lines for 2-perf, to (theoretically) over 2300 lines for 4-perf shot on T-Max 100.
Windows Camera is an image and video capture utility included with the most recent versions of Windows and its mobile counterpart. It has been around on Windows-based mobile devices since camera hardware was included on those devices and was introduced on Windows PCs with Windows 8, providing users for the first time a first-party built-in camera that could interact with webcam hardware. [4]
The modern era of 16 mm cameras is concurrent with that of 35 mm for both the same reasons as 35 mm as well as an additional change: the creation of the Super 16 format by Rune Ericsson in 1971. The format expanded the usable film negative horizontally, which required a larger film gate and necessitated either specialized conversion of machined ...
24p cameras do not, as NTSC video cameras do, shoot 30 interlaced frames per second (60 fields); they shoot 24 full progressive frames per second. 24p material can be recorded directly into formats that support the framerate. Some of high definition formats support the 24p framerate in addition to 60i and 50i (PAL).