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Key grip working on set. A key grip is a senior role on movie sets, [1] involved with a wide variety of behind-the-scenes tasks. The key grip supervises grip crews who support camera and lighting technicians; assesses what equipment is necessary for each shooting location; coordinates the transportation of this equipment and its set up; and arranges the general movement and positioning of the ...
Key grip or first company grip: the boss or head of the grip department. Best boy grip or second company grip: this is the key grip's right-hand person. He or she will act on behalf of the key grip in areas such as booking crew and equipment rental. 3rd grip, company grip, hammer, or gang grip: the majority of grips fit into this category. They ...
In a film crew, an assistant to either of two department heads: the gaffer or the key grip (with the assistant sometimes referred to as the best boy electric or best boy grip, respectively). [17] The best boy acts as the foreman for his department. [18] billing bird's eye shot blocking
Key grip The key grip is the chief grip on a set, and is the head of the set operations department. The key grip works with the director of photography to help set up the set and to achieve correct lighting and blocking. They are also used to manoeuver the cameras around the set. Best boy (grip) The best boy is chief assistant to the key grip.
Researchers have identified a strong relationship between prior film experience and conscious awareness of visual manipulations, especially for people with practical experience in production. [22] One study compared the participants’ ability to understand narrative in Hollywood versus experimental film, by measuring interpretational awareness.
In a film crew, there are two kinds of best boy: best boy electric (also known as the assistant chief lighting technician) and best boy grip (also known as the 2nd company grip). They are assistants to their department heads, the gaffer (in charge of electricals) and the key grip (lighting and rigging), respectively. [ 1 ]
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Set Decorators are Key Department Heads, hired by the Producer , but often recommended by the Production Designer for their creative talent to implement the Production Designer’s vision and the visual interpretation of the script and its characters; and for technical skills and expertise in project management including budgeting, hiring, scheduling and organizing the Set Decoration ...