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Propaganda was a crucial tool of the German Nazi Party from its earliest days in 1920, after its reformation from the German Worker’s Party (DAP), to its final weeks leading to Germany's surrender in May 1945. As the party gained power, the scope and efficacy of its propaganda grew and permeated an increasing amount of space in Germany and ...
A propaganda poster supporting the boycott declared that "in Paris, London, and New York German businesses were destroyed by the Jews, German men and women were attacked in the streets and beaten, German children were tortured and defiled by Jewish sadists", and called on Germans to "do to the Jews in Germany what they are doing to Germans abroad."
Along with the posters, the Nazi Party also published miniature versions the size of playing cards, which were often attached to official communications. [8] Around 125,000 poster-size copies were printed of each issue and posted in "every imaginable public place", such that, according to Herf, people in Germany "could not avoid" seeing it. [16]
This is a list of words, terms, concepts and slogans of Nazi Germany used in the historiography covering the Nazi regime. Some words were coined by Adolf Hitler and other Nazi Party members. Other words and concepts were borrowed and appropriated, and other terms were already in use during the Weimar Republic .
Propaganda poster aimed at the German home front: "Work for victory as hard as we fight for it!" The Reich Ministry of Public Enlightenment and Propaganda was established in 1933. Goebbels, who was appointed by Adolf Hitler to lead the ministry, used radio, press, books, films, and all other forms of communication media to promote the Nazi ...
Issue of 11 January 1943 featuring a quote by Hermann Göring: "We do not want to leave to our children and descendants what we can do ourselves.". Wochenspruch der NSDAP ("Weekly Quotation of the Nazi Party") was a wall newspaper published by the Nazi Party between 1937 and 1944, displaying quotations, mostly from Nazi leaders.
German Museum in Munich, featuring a poster of the antisemitic Nazi propaganda film The Eternal Jew (1937) With the establishment of Department V (Film), the Propaganda Ministry became the most important body for the German film industry alongside the Reich Chamber of Culture and the Reich Film Chamber. Initially little changed in the formal ...
The concept of "Endsieg" permeated Nazi propaganda, projecting an image of an assured, imminent victory to the German population and Nazi supporters. It served as a motivational tool to boost morale, invoking a sense of determination and commitment among soldiers and civilians alike.