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Marcus Mosiah Garvey Jr. ONH (17 August 1887 – 10 June 1940) was a Jamaican political activist. He was the founder and first President-General of the Universal Negro Improvement Association and African Communities League (UNIA-ACL, commonly known as UNIA), through which he declared himself Provisional President of Africa.
Official Blog of the UNIA: Millions For Marcus Garvey on Facebook; The Marcus Garvey and Universal Negro Improvement Association Papers Project; Marcus Garvey: The Official Site; Gale Group guide to UNIA; American Series Sample Documents Archived 2015-06-03 at the Wayback Machine—Volume I: 1826 – August 1919; 1918 UNIA Constitution
Garvey, Marcus (1995). Hill, Robert Abraham (ed.). The Marcus Garvey and Universal Negro Improvement Association Papers, Vol. IX: Africa for the Africans June 1921-December 1922. University of California Press. ISBN 9780520916821. - Total pages: 840 ; Grant, Colin (2009). Negro with a Hat: The Rise and Fall of Marcus Garvey. Vintage. ISBN ...
We just reason man-to-man and I-man say wherein I would like to get involved in the music business. And Bob say, 'All right, just check Studio One.' " The single was released but fared poorly on the Jamaican charts. After Marcus Garvey, Spear's fame had grown considerably, and he was a star in Jamaica and cult sensation in the United Kingdom.
The following other wikis use this file: Usage on en.wikisource.org Index:Marcus Garvey - Philosophy and Opinions of Marcus Garvey (2009 printing).pdf
Garveyism is an aspect of black nationalism that refers to the economic, racial and political policies of UNIA-ACL founder Marcus Garvey. [ 1 ] [ 2 ] Ethiopia, thou land of our fathers,
The influential historian C.L.R. James—a Trinidadian Trotskyist (say that 10 times fast!)—wrote in 1938, that “All the things that Hitler was to do so well later, Marcus Garvey was doing in ...
Under the editorship of Amy Jacques Garvey the paper featured a full page called "Our Women and What They Think". Negro World also played an important part in the Harlem Renaissance of the 1920s. The paper was a focal point for publication on the arts and African-American culture, including poetry, [ 8 ] commentary on theatre and music, and ...