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7-inch reel of 1 ⁄ 4-inch-wide (6.4 mm) recording tape, typical of non-professional use in the 1950s–70s. Studios generally used 10 1 ⁄ 2 inch reels on PET film backings. Inexpensive reel-to-reel tape recorders were widely used for voice recording in the home and in schools, along with dedicated models expressly made for business dictation.
The balls, or bolles, are typically 6 to 8 inches (15 to 20 cm) in diameter and 4 inches (10 cm) thick. [8] Traditional bolles are made of wood, however other materials can be used such as hardened rubber or molded plastic. Bolles are machined with a taper, which causes them to roll in an elliptical fashion.
Analog, 1 ⁄ 4-inch-wide (6.4 mm) tape, 3 + 3 ⁄ 4 in/s, endless-loop cartridge 1962 Compact cassette: Variants of the Compact Cassette Analog, with bias. 0.15 inches (3.81 mm) tape, 1 + 7 ⁄ 8 ips. 1970: introduced Dolby noise reduction: 1964 Sanyo Micro Pack 35 Channel Master 6546 Westinghouse H29R1
A 7-inch reel of 1 ⁄ 4-inch-wide (6.4 mm) audio recording tape, which was the type used to create the song's tape loops. Five tape loops are prominent in the finished version of the song. According to author Ian MacDonald, writing in the 1990s, these loops contain the following:
Self-amalgamating tape is a non-tacky silicone rubber tape that when stretched and wrapped around cables, electrical joints, hoses, and pipes combines or unites itself into a strong, seamless, rubbery, waterproof, and electrically insulating layer. [1] [2] Unlike many other polymers and fibers, it is heat-, sunlight-, and weather-resistant.
With a floured rolling pin, roll it into a rectangle that is about 24 inches long and 10 to 12 inches wide. Brush two 12-cup muffin pans with a little of the melted butter. Brush the dough with ...