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Date/Time Thumbnail Dimensions User Comment; current: 11:34, 20 February 2008: 1,239 × 1,754, 80 pages (3.65 MB): Adam Cuerden {{Information |Description=Arthur Sullivan's "Festival" Te Deum, written to commemorate the recovery of Edward, Prince of Wales (Later Edward VII) from typhoid fever. |Source=Copy of original published score. |Date=1872 |Author=Arthur Sullivan (1842-1900)
Te Deum stained glass window by Christopher Whall at St Mary's church, Ware, Hertfordshire. The Te Deum (/ t eɪ ˈ d eɪ əm / or / t iː ˈ d iː əm /, [1] [2] Latin: [te ˈde.um]; from its incipit, Te Deum laudamus (Latin for 'Thee, God, we praise')) is a Latin Christian hymn traditionally ascribed to a date before AD 500, but perhaps with antecedents that place it much earlier. [3]
The Festival Te Deum, Op. 32, a sacred choral piece by the English composer Benjamin Britten, is a setting of the Te Deum from the Book of Common Prayer. It was composed in 1944 to celebrate the centenary of St Mark's Church, Swindon , and was first performed there in 1945.
Arthur Sullivan's Te Deum Laudamus—A Thanksgiving for Victory, usually known as the Boer War Te Deum, is a choral work composed by Sullivan in the last few months of his life. It was commissioned on behalf of Dean and Chapter of London's St. Paul's Cathedral by the cathedral's organist, Sir George Martin , as part of a grand service to ...
The Te Deum in C is a sacred choral composition by Benjamin Britten, a setting of the Te Deum on the English text from the Book of Common Prayer. Britten wrote it between 11 July and 17 September 1934. It is scored for a treble solo, four-part choir and organ.
Marc-Antoine Charpentier composed six Te Deum settings, but only four of them have survived (H.145, H.146, H.147, H.148). [1] Largely because of the great popularity of its prelude, the best known is the Te Deum in D major, H.146, written as a grand motet for soloists, choir, and instrumental accompaniment probably between 1688 and 1698, during Charpentier's stay at the Jesuit Church of Saint ...
Howells successfully produced a setting of the Te Deum; he later remarked that it was "the only Te Deum to be born of a decanal bet". [2] Following the challenge made at the Deanery tea, other settings followed: the Jubilate for Mattins in 1944, and in 1945 he completed the Magnificat and Nunc dimittis for Choral evensong.
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