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Sacred art directly relates to religious art in the sense that its purpose is for worship and religious practices. According to one set of definitions, artworks that are inspired by religion but are not considered traditionally sacred remain under the umbrella term of religious art, but not sacred art. [1]
Much Christian art borrowed from Imperial imagery, including Christ in Majesty, and the use of the halo as a symbol of sanctity. Late Antique Christian art replaced classical Hellenistic naturalism with a more abstract aesthetic. The primary purpose of this new style was to convey religious meaning rather than accurately render objects and people.
Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations.
In practice, identifiably Christian art only survives from the 2nd century onwards. [1] After 550, Christian art is classified as Byzantine, or according to region. [1] [2] It is hard to know when distinctly Christian art began. Prior to 100, Christians may have been constrained by their position as a persecuted group from producing durable ...
Coptic art is the Christian art of the Byzantine-Greco-Roman Egypt and of Coptic Christian Churches. Coptic art is best known for its wall-paintings, textiles, illuminated manuscripts, and metalwork, much of which survives in monasteries and churches. The artwork is often functional, as little distinction was drawn between artistry and ...
Carlo Saraceni, Caravaggisti whose religious art includes an altarpiece in the Roman church of San Lorenzo in Lucina [523] [524] Andrea del Sarto, work includes paintings for the Santissima Annunziata, Florence [525] [526] Sassetta, like much of the Sienese School, he did religious art, including the Mystic Marriage of St. Francis [527] [528]
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