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Carmen (French: ⓘ) is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy , based on the novella of the same title by Prosper Mérimée .
The Toreador Song, also known as the Toreador March or March of the Toreadors, is the popular name for the aria " Votre toast, je peux vous le rendre" ("I return your toast to you"), from the French opera Carmen, composed by Georges Bizet to a libretto by Henri Meilhac and Ludovic Halévy.
The music is taken from the 1875 opera of the same name by Georges Bizet, arranged and re-orchestrated by Tommy Desserre. The scenario is based on the 1845 novella by Prosper Mérimée . The principal roles were created for Petit's wife-to-be Zizi Jeanmaire (Carmen), Roland Petit (Don José) and Serge Perrault (Le Toréador).
Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act.
Several ballets have been created based on the 1845 novella by Prosper Mérimée, some of which use music from the 1875 opera of the same name by Georges Bizet. These include: Carmen, a 1949 ballet by Roland Petit. Carmen Suite, a 1967 ballet by Alberto Alonso to music by Georges Bizet adapted by Russian composer Rodion Shchedrin. [1]
After Bizet's death, many of his manuscripts were lost; works were revised by other hands and published in these unauthorised versions so that it is often difficult to establish what is authentic Bizet. [11] Even Carmen was altered into grand opera format by the replacement of its dialogue with recitatives written by Guiraud, and by other ...
Conceptually, it is Bizet's opera Carmen updated to a World War II-era, African-American setting. Bizet's opera was, in turn, based on the 1846 novella by Prosper Mérimée . The Broadway musical was produced by Billy Rose , using an all-black cast, and directed by Hassard Short .
Petite suite, orchestrations made by Bizet in 1872 of five movements from his Jeux d’enfants Scènes bohémiennes , an orchestral suite made by Bizet in 1874 from his opera La jolie fille de Perth Suite No. 1 from the above-listed incidental music for Daudet’s L’Arlésienne , compiled in 1872 by Bizet himself