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Most of early American art (from the late 18th century through the early 19th century) consists of history painting and especially portraits. As in Colonial America, many of the painters who specialized in portraits were essentially self-taught; notable among them are Joseph Badger, John Brewster Jr., and William Jennys.
During the period before and after European exploration and settlement of the Americas; including North America, Central America, South America and the islands of the Caribbean, the Bahamas, the West Indies, the Antilles, the Lesser Antilles and other island groups, indigenous native cultures produced a wide variety of visual arts, including ...
In Maryland, Virginia, and the Carolinas, a style called "Southern Colonial" is recognized, characterized by the hall and parlor and central-passage house types, which often had large chimneys projecting from the gable-ends of the house. In the Delaware Valley, Swedish colonial settlers introduced the log cabin to America.
The prevalence and variety of folk art mediums and styles is due, in part, to social values in early colonial America that viewed the colonies as somehow inferior to the ruling European nations. Much of the fine art from the period focused on European scenes and values, leaving the expression of life in the colonies to folk art. [5]
Robert Feke (c. 1705 – c. 1752) was an American portrait painter born in Oyster Bay, New York. According to art historian Richard Saunders, "Feke’s impact on the development of Colonial painting was substantial, and his pictures set a new standard by which the work of the next generation of aspiring Colonial artists was judged."
The Smithsonian American Art Museum (commonly known as SAAM, and formerly the National Museum of American Art) is a museum in Washington, D.C., part of the Smithsonian Institution. Together with its branch museum, the Renwick Gallery , SAAM holds one of the world's largest and most inclusive collections of art, from the colonial period to the ...