Ad
related to: songs that work with cpr
Search results
Results From The WOW.Com Content Network
Over the summer, after "Please Please Please" debuted, the American Heart Association (AHA) declared that the song's beats work for performing hands-only CPR. View this post on Instagram
Well, the American Heart Association says that the song has the perfect tempo to literally save someone's life with hands-only CPR. On Oct. 25, the American Heart Association shared o n Instagram ...
The organization has also named songs by Sabrina Carpenter, Chappell Roan, Beyoncé and Taylor Swift as suitable to follow for hands-only CPR
The rhythm and tempo of this song is often used to teach people the rhythm of cardiopulmonary resuscitation (CPR). The recommended rate for CPR is 100 chest compressions per minute. A study at Coventry University compared the effectiveness of this song in maintaining this rhythm with an alternative of "That's the Way (I Like It)" and no song at ...
Cardiopulmonary resuscitation (CPR) is an emergency procedure consisting of chest compressions often combined with artificial ventilation, or mouth to mouth in an effort to manually preserve intact brain function until further measures are taken to restore spontaneous blood circulation and breathing in a person who is in cardiac arrest.
The song recalled Crosby's ambivalent feelings about the portrayal of Jim Morrison in Oliver Stone's The Doors (1991). The success of the band's initial 1997 tour spawned a studio album, CPR , which was released in March 1998.
In October 2015, the official music video for her song "Vagina" was released on YouTube via YMCFilmz. According to Cupcakke, she wrote the song because she was inspired by Khia's dirty rap song "My Neck, My Back (Lick It)" from 2002. [16] One month later, Harris released "Deepthroat" on her own channel.
The song was produced by John Farrar and written by Steve Kipner and Terry Shaddick, who had originally intended to offer it to Rod Stewart. [3] The song had also been offered to Tina Turner by her manager Roger Davies, but when Turner declined, Davies gave the song to Newton-John, another of his clients. [4]