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Whereas ancient laurel wreaths are most often depicted as a horseshoe shape, modern versions are usually complete rings. [citation needed] In common modern idiomatic usage, a laurel wreath or "crown" refers to a victory. The expression "resting on one's laurels" refers to someone relying entirely on long-past successes for continued fame or ...
The laurel wreaths of a triumphator were often worn by imperial portraits, as were radiate crowns. [21] According to Pliny the Elder, the Arval Brethren, an ancient Roman priesthood, were accustomed to wear a wreath of grain sheaves. [22] Crowns and wreaths were associated by early Christians with Roman paganism and Hellenistic religion. [21]
A chaplet is a headdress in the form of a wreath made of leaves, flowers or twigs woven into a ring. [1] It is typically worn on festive occasions and on holy days. In ancient times a chaplet also served as a crown representing victory or authority.
Prior to this, Roman sovereigns wore the purple paludamentum, and sometimes a laurel wreath as emblems of their office. [8] Aurelian strengthened the position of Sol Invictus, whose corona radiata or "radiant crown" had become popular in depictions of emperors earlier in the 3rd century (Gordian III) with the development of the imperial cult,. [9]
The Civic Crown (Latin: corona civica) was a military decoration during the Roman Republic and the subsequent Roman Empire, given to Romans who saved the lives of fellow citizens. It was regarded as the second highest decoration to which a citizen could aspire (the Grass Crown being held in higher regard).
The globe and scepter represent Italia as having sovereignity over the world as the homeland of the Romans, while the cornucupia was a symbol of wealth and abundance. The mural crown was a symbol of the Roman Civitas. Following the fall of the Roman empire, Italia Turrita remained a classic image used for the allegorical personification of ...
The Crown of Immortality, held by the allegorical figure Eterna (Eternity) on the Swedish House of Knights fresco by David Klöcker Ehrenstrahl. The Crown of Immortality is a literary and religious metaphor traditionally represented in art first as a laurel wreath and later as a symbolic circle of stars (often a crown, tiara, halo or aureola).
Bronze monument to Francis II, the last Holy Roman emperor, wearing a corona triumphalis and toga. The honours included the right to wear triumphal dress in public: the corona triumphalis (a gold coronet fashioned in the shape of a laurel wreath with dangling gold ribbons); an ivory baton; the tunica palmata (a tunic embroidered with palm-leaves); and the toga picta ("painted toga"), a toga ...