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Death and the Miser (also known as Death of the Usurer) is a Northern Renaissance painting produced between 1490 and 1516 by the Dutch artist Hieronymus Bosch. The piece was originally part of a triptych , but the center piece is missing.
The Burial of the Count of Orgaz (Spanish: El Entierro del Conde de Orgaz) is a 1586 painting by El Greco, a prominent Renaissance painter, sculptor, and architect of Greek origin. Widely considered among his finest works, it illustrates a popular local legend of his time.
The Triumph of Death is an oil panel painting by Pieter Bruegel the Elder painted c. 1562. [1] It has been in the Museo del Prado in Madrid since 1827. [2] Description
Ivan the Terrible and His Son Ivan on 16 November 1581 [a] is a painting by Russian realist artist Ilya Repin made between 1883 and 1885. It depicts the grief-stricken Russian tsar Ivan the Terrible cradling his dying son, the Tsarevich Ivan Ivanovich, shortly after Ivan the Terrible had dealt a fatal blow to his son's head in a fit of anger.
The Lamentation of Christ is a topic in Christian religious art, especially popular in the High Medieval, Renaissance, and Baroque periods, which depicts the moment of mourning following the Crucifixion and lowering of Christ's body from the cross. Mantegna's variant includes some aspects commonly associated with the scene, including the ...
Death: Death is shown at the doorstep, personified as a grim reaper, along with an angel and a demon while the priest says the sinner's last rites, Heaven: The saved are entering Heaven, with Jesus and the saints, at the gate of Heaven an Angel prevents a demon from ensnaring a woman. Saint Peter is shown as the gatekeeper.
Death and the Maiden (Der Tod und das Mädchen in German) was a common motif in Renaissance art, especially in German painting and printmaking. The usual form shows just two figures, with a young woman being seized by a personification of Death , often shown as a skeleton.
Eve, the Serpent and Death (or Eve, the Serpent, and Adam as Death) is a painting by the German Renaissance artist Hans Baldung, housed in the National Gallery of Canada, Ottawa. The date of the painting is debated, with proposals ranging from the early 1510s to between 1525 and 1530.