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"In movies people often do flashbacks and point-of-view shots as a gauzy, mysterious, distant kind of image," Trumbull recalled. "And I wanted to do just the opposite, which was to make the material of the mind even more real and high-impact than 'reality'". MGM withdrew its plans to release the experimental picture in the new format.
Labels typically own the copyright in the records their artists make, and also the master copies of those records. An exception is when a label makes a distribution deal with an artist; in this case, the artist, their manager, or another party may own the copyright (and masters), while the record is licensed exclusively to the label for a set period of time.
Robert Arkins signed a record deal with MCA Records in 1993, [99] although he did not finish recording the consequent album. [100] He has produced work for a number of commercial clients, television projects, and composed music for two short films. [20] Andrew Strong went on to produce several albums, which he described as having elements of R ...
Here’s all the records from opening weekend: Domestic Biggest opening weekend for film based on a Broadway adaption, ahead of “Into The Woods” ($31.05 million)
Page said that Springsteen's deal is particularly interesting, since it shows how record labels now want a piece of the action — as opposed to music investment funds like London-based Hipgnosis.
The idea for the film originated from stories Craig Zobel's father would tell him about his experiences working as a radio DJ in Atlanta in the late 1970s. Zobel said his dad worked "for a company similar to the one I ended up creating for the film–they went from town to town sharking people for money under the promise that they would make people famous in the music industry.
The project was made independently, which surprised some considering his last movie, “Cha Cha Real Smooth,” became one of the biggest breakouts of the 2022 fest with a huge $15 million sale to ...
Both Strange Days and Cameron's 1994 action film True Lies were part of a multimillion-dollar production deal between Lightstorm Entertainment and 20th Century Fox. However, the financing was unevenly divided between the two films, with Strange Days being initially budgeted at $30 million and True Lies at $70 million. [5]