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Italian music innovation – in musical scale, harmony, notation, and theatre – enabled the development of opera and much of modern European classical music – such as the symphony and concerto – ranges across a broad spectrum of opera and instrumental classical music and popular music drawn from both native and imported sources ...
Italian copyright law also provides for certain exploitation rights over non-works. Phonograph producers have the exclusive right for 50 years from fixation (and without prejudice to the author's rights) to authorize reproduction, distribution, rental, lending, and Internet availability of the sound recording (Art. 72).
SIAE exercises the author's right on behalf of their legitimate owners. Authors' right has two distinct components: economic and moral. Italian law does not require a deposit since Berne Convention provides that the rights are first acquired upon creation of the work and therefore it is possible to prove the ownership by other means such as Copyzero.
Claudio Baglioni in 1985. The following is an independently list of the best-selling albums in Italy. Federazione Industria Musicale Italiana (FIMI) or related publishers does not provide an official list but news and mainstream media usually have provided albums sales claims.
The term Italian music is ambiguous and may refer to several topics: The music of Italy; The folk, popular, classical (especially opera) musics of Italy and the Italian peoples; The music of Italian people in the United States or other countries
According to a 1969 report from SEDRIM (from Società per l'Esercizio dei Diritti di Riproduzione Meccanica), then Italian mechanical rights society, Italy was a singles-market with songs accounting 85.8 percent of total record sales in the country. A "top hit" single in Italy at that time was grouped between 500,000 and 700,000 copies.