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The emphasis on Gothic literature, on the sublime in general, and the poet as spokesman of a nation's consciousness allowed the declining meaning of "genius" as "natural spirit of the place" and the emergent meaning of "genius" as "inherent and irrational ability" to combine. At the same time, Romanticism's definition of genius as a person ...
The term genius acquired its modern sense in the eighteenth century, and is a conflation of two Latin terms: genius, as above, and Ingenium, a related noun referring to our innate dispositions, talents, and inborn nature. [25]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Genius (literature), a concept in literary theory relating to inspiration; The "Genius", by Theodore Dreiser, 1915; The Genius, a 2008 novel by Jesse Kellerman; Genius: A Mosaic of One Hundred Exemplary Creative Minds, a 2003 book by Harold Bloom "The Genius", a 1955 short story by Randall Garrett as Ivar Jorgensen
Winged genius facing a woman with a tambourine and mirror, from southern Italy, about 320 BC. In Roman religion, the genius (Latin: [ˈɡɛnɪ.ʊs]; pl.: genii) is the individual instance of a general divine nature that is present in every individual person, place, or thing. [1]
The follow articles comprise the glossary of education-related terms: Glossary of education terms (A–C) Glossary of education terms (D–F) Glossary of education terms (G–L) Glossary of education terms (M–O) Glossary of education terms (P–R) Glossary of education terms (S) Glossary of education terms (T–Z)
The idea that it was possible to ignore genre constraints and the idea that each literary work was a "genre unto itself" [6] gained popularity. Genre definitions were thought to be "primitive and childish." [6] At the same time, the Romantic period saw the emergence of a new genre, the 'imaginative' genre. [7]
Gnomes, in their literary sense, belong to the dawn of literature, in their naiveté and their simplicity and moralizing. Many of the ethical reflections of the great dramatists, and in particular of Sophocles and Euripides, are gnomic distiches expanded. The ancient Greek gnomes are not all solemn; some are voluptuous and some chivalrous.