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Trust (stylized as trust_) is a 2010 American drama thriller film directed by David Schwimmer and written by Andy Bellin and Robert Festinger based on an uncredited story by Schwimmer. Starring Clive Owen , Catherine Keener , Jason Clarke , Liana Liberato , and Viola Davis , the film follows a fourteen-year-old girl who becomes a victim of ...
The album didn't become very famous, but his song, "Hyde Park", was used as the opening theme of the Brazilian sports program Esporte Espetacular since 1977. The song was soon associated with sports in Brazil, and it was used as the theme song of the F-1 racer Ayrton Senna. Esporte Espetacular stopped using the song in the 80s, but it came back ...
A.E.S. Hudson Street – Jack Elliott and Allyn Ferguson; A.N.T. Farm ("Exceptional") – China Anne McClain; Abby Hatcher – Ryan Carlson, Summer Weiler, Hanna Ashbrook and Chris Sernel, performed by Macy Drouin
I have been a maid in a motel for 16 years. I've seen good things, and lots of strange things. When I think back at all the times I've had, I can only laugh and be thankful. For example, I ...
The film premiered on HBO on July 26, 2010. [3] The New York Times praised the film for "advancing a theme of the failed American dream." [4] It goes on to describe the film this way, "Homeless presents endlessly charming children in scenes that become increasingly sad. In one of the most poignant, a group of children storm a Dumpster to ...
Inside Santa's workshop are tiny elf-sized workbenches and a sign displaying the full "code of the elves" from the film, right down to iconic quote, "The best way to spread Christmas cheer is ...
Trust was named one of the "10 Best Books of 2022" by The Washington Post [13] and The New York Times. [14] The New Yorker and Esquire included the novel on their lists of the best books of 2022. [15] [16] The novel was also included on a year-end list of books published in 2022 which were "loved" by NPR staff. [17]
The cue was composed for the famous "shower scene", the murder of Janet Leigh's character, Marion Crane. Hitchcock originally wanted the sequence (and all motel scenes) to play without music, [1] but Herrmann insisted he try it with the cue he had composed. Afterward, Hitchcock agreed that it vastly intensified the scene, and he nearly doubled ...