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Hanson Clarinet Company B♭, A Howarth of London B♭, A: A (joints & barrels only) Jupiter Band Instruments B♭ B♭ Leblanc (a division of The Selmer Company) B♭ E♭ B♭ EE♭ BB♭ Leitner & Kraus E♭, D: C, B♭, A: B♭, A: F B♭ Orsi Instrument Company: G, A♭ (on request) E♭ C, B♭, A, G
The bass clarinet has been regularly used in scoring for orchestra and concert band since the mid-19th century, becoming more common during the middle and latter part of the 20th century. [6] A bass clarinet is not always called for in orchestra music, but is almost always called for in concert band music.
Bass clarinet — An octave below the B ♭ clarinet often with an extended low range. B ♭ bass clarinet — The standard bass. Common variants extend to either low C or low E ♭. “A” bass clarinet — Very rare today, more common around 1900, though bass clarinets in A and C as well as B ♭ were being advertised at least through 1927. [7]
Cork grease also acts as a preservative, keeping the wooden cork moist and thick, in turn ensuring a good seal between parts of the instrument so that no air may leak through the joints upon playing. Cork grease can help woodwind players adjust their instruments' tuning pieces (e.g. barrels, necks, bocals, staples) in respect to their pitch. [1]
The company manufactured and distributed a wide range of instruments – self produced or through its subsidiaries and brands– such as clarinets, saxophones, trumpets, trombones and mouthpieces. Nowadays, only clarinets are manufactured and sold under the Leblanc brand, offering a range from traditional to bass clarinets to contrabass and ...
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In his 20 years of making clarinets, Mr. Rossi has become one of the very few clarinet designers in the world, and an acknowledged expert in clarinet acoustics. In 2005, Luis Rossi partnered with the Brazilian factory Weril Instrumentos Musicais and the Gemstone Musical Instruments to create Andino Clarinets , a student-level version of his ...
Harry Sparnaay was musician-in-residence and gave masterclasses at several universities all over the world and was professor of bass clarinet and contemporary music at the Conservatory of Amsterdam for 35 years, where his unique bass clarinet program attracted students from all over the world, many of them prize winners of major competitions.