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The Annunciation (c. 1440–1445) [1] is an Early Renaissance fresco by Fra Angelico in the Convent of San Marco in Florence, Italy. When Cosimo de' Medici rebuilt the convent, he commissioned Fra Angelico to decorate the walls with intricate frescos.
Fra Angelico, O.P. (/ f r ɑː æ n ˈ dʒ ɛ l ɪ k oʊ /; [1] Italian: [fra anˈdʒɛliko]; born Guido di Pietro; c. 1395 [2] – 18 February 1455) was a Dominican friar and Italian Renaissance painter of the Early Renaissance, described by Giorgio Vasari in his Lives of the Artists as having "a rare and perfect talent". [3]
The Annunciation of Cortona was painted by Fra Angelico in 1433–1434, in tempera on panel, 175 cm x 180 cm. [1]. This is one of three Annunciations by Fra Angelico on panel (the other two are in the Prado Museum, and the Museo della Basilica di Santa Maria delle Grazie, in San Giovanni Valdarno.
The Niccoline Chapel (Italian: Cappella Niccolina) is a chapel in the Apostolic Palace in Vatican City.It is especially notable for its fresco paintings by Fra Angelico (1447–1451) and his assistants, who may have executed much of the actual work.
The work was painted for a side altar in the Convent of San Domenico, Fiesole, where Fra Angelico was a friar.For the same church he also contributed the main altarpiece, showing the Virgin and Child Enthroned with Dominican saints (c. 1425) and the Coronation of the Virgin, now in the Louvre (c. 1424–1435) .
Above the entrance door is a badly deteriorated fresco by Fra Angelico depicting Christ in Pietà, alluding to the Resurrection awaiting those who nourished by him. Today the room contains works presenting the artistic activity of the second great painter who lived in San Marco at the beginning of the 16th century: Fra Bartolomeo .
Presentation of Jesus at the Temple by Fra Angelico. Presentazione di Gesù al Tempio is a fresco by Fra Angelico made for the then Dominican Convent of Saint Mark in Florence, Italy. [1] [2] It depicts the dedication of Jesus in the Temple in Jerusalem as the first-born son of His family, as related in the Gospel of St. Luke, 2:23–24.
Annalena Altarpiece with predella by Fra Angelico, c. 1438–40 (frame removed), sometimes considered the "first" instance of the sacra conversazione format [1]. In art, a sacra conversazione (Italian: [ˈsaːkra koɱversatˈtsjoːne]; plural: sacre conversazioni), meaning "holy (or sacred) conversation", is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and ...