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The emphasis on Gothic literature, on the sublime in general, and the poet as spokesman of a nation's consciousness allowed the declining meaning of "genius" as "natural spirit of the place" and the emergent meaning of "genius" as "inherent and irrational ability" to combine. At the same time, Romanticism's definition of genius as a person ...
Winged genius facing a woman with a tambourine and mirror, from southern Italy, about 320 BC. In Roman religion, the genius (Latin: [ˈɡɛnɪ.ʊs]; pl.: genii) is the individual instance of a general divine nature that is present in every individual person, place, or thing. [1]
Genius is a characteristic of original and exceptional insight in the performance of some art or endeavor that surpasses expectations, sets new standards for the future, establishes better methods of operation, or remains outside the capabilities of competitors. [1] Genius is associated with intellectual ability and creative productivity.
"Negative capability" is the capacity of artists to pursue ideals of beauty, perfection and sublimity even when it leads them into intellectual confusion and uncertainty, as opposed to a preference for philosophical certainty over artistic beauty. The term, first used by John Keats in 1817, has been subsequently used by poets, philosophers and literary theorists to describe the ability to ...
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
The group of Jena Romantics was led by Caroline Schlegel, who hosted their meetings. [2] Two members of the group, brothers August Wilhelm and Friedrich von Schlegel, who laid down the theoretical basis for Romanticism in the circle’s organ, the Athenaeum, maintained that the first duty of criticism was to understand and appreciate the right of genius to follow its natural bent.
The Spirit of the Age (full title The Spirit of the Age: Or, Contemporary Portraits) is a collection of character sketches by the early 19th century English essayist, literary critic, and social commentator William Hazlitt, portraying 25 men, mostly British, whom he believed to represent significant trends in the thought, literature, and politics of his time.
The Biographia Literaria is a critical autobiography by Samuel Taylor Coleridge, published in 1817 in two volumes.Its working title was 'Autobiographia Literaria'. The formative influences on the work were William Wordsworth's theory of poetry, the Kantian view of imagination as a shaping power (for which Coleridge later coined the neologism "esemplastic"), various post-Kantian writers ...