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The emphasis on Gothic literature, on the sublime in general, and the poet as spokesman of a nation's consciousness allowed the declining meaning of "genius" as "natural spirit of the place" and the emergent meaning of "genius" as "inherent and irrational ability" to combine. At the same time, Romanticism's definition of genius as a person ...
Genius is a characteristic of original and exceptional insight in the performance of some art or endeavor that surpasses expectations, sets new standards for the future, establishes better methods of operation, or remains outside the capabilities of competitors. [1] Genius is associated with intellectual ability and creative productivity.
Winged genius facing a woman with a tambourine and mirror, from southern Italy, about 320 BC. In Roman religion, the genius (Latin: [ˈɡɛnɪ.ʊs]; pl.: genii) is the individual instance of a general divine nature that is present in every individual person, place, or thing. [1]
Harold Bloom (July 11, 1930 – October 14, 2019) was an American literary critic and the Sterling Professor of humanities at Yale University. [1] In 2017, Bloom was called "probably the most famous literary critic in the English-speaking world". [2]
Genius (literature), a concept in literary theory relating to inspiration; The "Genius", by Theodore Dreiser, 1915; The Genius, a 2008 novel by Jesse Kellerman; Genius: A Mosaic of One Hundred Exemplary Creative Minds, a 2003 book by Harold Bloom "The Genius", a 1955 short story by Randall Garrett as Ivar Jorgensen
Microsoft PowerPoint and Google Slides are effective tools to develop slides, both Google Slides and Microsoft PowerPoint allows groups to work together online to update each account as it is edited. Content such as text, images, links, and effects are added into each of the presentation programs to deliver useful, consolidated information to a ...
The Biographia Literaria is a critical autobiography by Samuel Taylor Coleridge, published in 1817 in two volumes.Its working title was 'Autobiographia Literaria'. The formative influences on the work were William Wordsworth's theory of poetry, the Kantian view of imagination as a shaping power (for which Coleridge later coined the neologism "esemplastic"), various post-Kantian writers ...
The group of Jena Romantics was led by Caroline Schlegel, who hosted their meetings. [2] Two members of the group, brothers August Wilhelm and Friedrich von Schlegel, who laid down the theoretical basis for Romanticism in the circle’s organ, the Athenaeum, maintained that the first duty of criticism was to understand and appreciate the right of genius to follow its natural bent.