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"Let 'Em In" is a song by Wings from their 1976 album Wings at the Speed of Sound. It was written and sung by Paul McCartney and reached the top 3 in the United Kingdom, the United States and Canada.
The introduction, "Let 'Em In" was perceived as an invitation to join the McCartneys on this fantasy day, with explanation of their philosophy ("Silly Love Songs"), a lunch break ("Cook of the House"), and a chance to get to know McCartney's friends (Denny Laine in "The Note You Never Wrote", Jimmy McCulloch in "Wino Junko", etc.).
Paul McCartney London Town: 1978 [158] "Daytime Nighttime Suffering" Wings: Paul McCartney B-side of "Goodnight Tonight" 1979 [167] "Dear Friend" Wings: Paul McCartney Linda McCartney Wild Life: 1971 [162] "Deliver Your Children" Wings: Paul McCartney Denny Laine London Town: 1978 [158] "Don't Let It Bring You Down" Wings: Paul McCartney Denny ...
"Silly Love Songs" is a song by the British–American rock band Wings that was written by Paul and Linda McCartney. The song first appeared in March 1976 on the album Wings at the Speed of Sound , then it was released as a single backed with " Cook of the House " on 1 April in the US, and 30 April in the UK.
Contains "Inside Thing (Let 'Em In)", a duet by Lulu and McCartney. McCartney's vocals were sampled from the song "Let 'Em In". 2004 Gettin' in Over My Head: Brian Wilson: Contains "A Friend Like You", a duet by Wilson and McCartney who also played acoustic guitar. 2006 Duets: An American Classic: Tony Bennett
The soundtrack album of the James Bond film, it includes the title song performed by Paul McCartney and Wings. 1974 McGear: Mike McGear: An album by Paul McCartney's brother Michael (then known as Mike McGear of The Scaffold). It featured him on lead vocals and as co-lyricist, with Wings as his backing band. 1975 Sold Out: The Scaffold
Sir Paul released album McCartney III at the end of 2020 and last year he published The Lyrics: 1956 To The Present, a book featuring 154 songs from all stages of his career, spanning The Beatles ...
[2] [10] [11] It was a song for which Paul McCartney had high hopes, but early recordings did not live up to the song's potential. [10] [11] McCartney said in 1975 of his initial opinion of the song, "It was one of the songs we’d gone in with high hopes for. Whenever I would play it on the piano, people would say ‘Oh, I like that one.’