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The AllMusic review by Al Campbell awarded the album 4 stars, stating: "Recorded in early 1960, Them Dirty Blues contains two classic jazz compositions." [2] The Penguin Guide to Jazz awarded the album 3⅓ stars, noting: "Them Dirty Blues debuts Nat's 'Work Song' in the band's book, as well as Bobby Timmons's 'Dat Dere'."
Cannonball Adderley Quintet in Chicago – with John Coltrane: Mercury 1959 1959-04-23, -07 1959-05-12 Cannonball Takes Charge: Riverside 1959 1959-10-18, -20 The Cannonball Adderley Quintet in San Francisco: Riverside 1959 Live 1960-02-01 1960-03-29 Them Dirty Blues: Riverside 1960 1960-05-21 1960-06-05
The Penguin Guide to Jazz awarded the album 4 stars, stating: "At the Lighthouse, which marked Vic Feldman's arrival in the group, is a near-classic, opening on the immortal version of 'Sack O' Woe' and steaming through a vintage Adderley set in front of a cheering and fingersnapping crowd".
"Mercy, Mercy, Mercy" is a jazz song written by Joe Zawinul (lyrics by Gail Fisher) in 1966 for Cannonball Adderley and which appears on his album Mercy, Mercy, Mercy! Live at "The Club" . The song is the title track of the album and became a surprise hit in February 1967. [ 1 ] "
Mercy, Mercy, Mercy! Live at "The Club" is a 1967 live in-studio album by The Cannonball Adderley Quintet, the jazz group formed by musician Cannonball Adderley. [2] It received the Grammy Award for Best Instrumental Jazz Performance – Group or Soloist with Group in 1967, [3] and was added to the Grammy Hall of Fame in 2021.
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The Incredible Jazz Guitar; Movin' Along; Oliver Nelson: Taking Care of Business; David Newman & James Clay: The Sound of the Wide Open Spaces!!!! Art Pepper: Gettin' Together; Max Roach: We Insist! Charlie Rouse: Takin' Care of Business; George Russell. George Russell Sextet at the Five Spot; Jazz in the Space Age; Stratusphunk
The Penguin Guide to Jazz states: "The odd session out is the date with Nancy Wilson for Capitol, primarily designed as a showcase for the young singer but with five band-only tracks as well. Wilson had a self-conscious phrasing and melodramatic lighting-up of key lines - but there is a version of 'A Sleeping Bee' here which is one of the most ...