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First attested in English in the late 19th century, the Italian word timpani derives from the Latin tympanum (pl. tympana), which is the latinisation of the Greek word τύμπανον (tumpanon, pl. tumpana), 'a hand drum', [3] which in turn derives from the verb τύπτω (tuptō), meaning 'to strike, to hit'. [4]
By the 17th century, the timpani moved indoors for good and composers began to demand more from timpanists than ever before. The timpani was first introduced to the court orchestras and opera ensembles as well as in larger church works. [7] Due to this move indoors, a much more formalized way of playing and approaching the timpani was developed.
Instruments can have their tone muted with wood, rubber, metal, or plastic devices (for string instruments, mutes are clipped to the bridge; for brass instruments, mutes are inserted in the bell), or parts of the body (guitar; French Horn), or fabric (clarinet; timpani), among other means.
Timbal, tímpano and timpani all derive from the Latin tympănum, from the Greek týmpanon, meaning drum. (The Spanish word for drum, tambor , although similar, actually derives from Arabic tabl ). In Cuba and Latin America, timbales (timpani) were adapted into pailas , which is the name given to various Spanish metallic bowls and pans used as ...
Timpani Bass drum (fourth movement only) ... Description 1 1 ... The hymn is commonly sung in English-language churches to the "Ode to Joy" melody from this symphony.
A timpani concerto is piece of music written for timpani with orchestral or band accompaniment. It is usually in three parts or movements . The first timpani concertos were written in the Baroque and Classical periods of music.
A cadenza, for both timpani, opens the final movement. Occasionally it is set aside as a separate section of the concerto, but on most recordings, it is featured as part of the third movement. During the cadenza, both timpani engage in exchanges, whose character range from almost inaudible to deafeningly loud.
Eight Pieces for Four Timpani is a collection of short pieces by Elliott Carter for solo timpani – four drums played by one musician. Six of the pieces were composed in 1949. Two new pieces were added in 1966, and the rest were revised in collaboration with percussionist Jan Williams.