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Zapateo, which later produced the more famous Malambos dance, arrived in South America from Spain around the year 1600 CE and was a favorite pastime of the gaucho (descendants of Spanish conquistadores and aborigines) also known as the "South American cowboys", especially around the camp fires in the lonely stretches of the flatlands, known as ...
El Olé, the Spanish national dance," with image of Pepita de Oliva. Sheet music, 1850s. In flamenco music and dance, shouts of "olé" often accompany the dancer during the performance as encouragement or praise, and at the end of the performance. A singer in cante jondo may also emphasize the word "olé" with melismatic turns. [2] [12]
Aragonese jota dancers. The jota (pronounced [1]) is a genre of music and the associated dance known throughout Spain, most likely originating in Aragon.It varies by region, having a characteristic form in Aragon (where it is the most important [1]), Mallorca, Catalonia, León, Castile, Navarre, Cantabria, Asturias, Galicia, La Rioja, Murcia and Eastern Andalusia.
a song form which started as a street snail-vendor's song in Zarzuela (a popular Spanish form of operetta) cartageneras song form derived from the taranta, with a florid vocal line, more "artistic" and decorative than forceful and rough castañuelas castanets cejilla capotasto or capo, used by guitarists to raise tone of all strings; a ...
The choreography is quite simple: on its more frequent setting two male dancers face each other, dancing and tap-dancing one at a time, showing which has the most lightness and repertoire of feet changes in the tap-dancing. The dancers can be boy and girl, boy and boy (most frequent) or, rarely, two girls.
"Perreo," the name of the dance performed to the rhythm of the widely popular Latin urban genre reggaeton, which has deep roots in Puerto Rico, is officially a Spanish word.
Pairs of dancers form a circle ("Rueda" in Spanish means "Wheel"), with dance moves called out by one person. Many of the moves involve rapidly swapping partners. "Rueda de Cuba" is original type of Rueda, originating from Cuba. It is not as formal as Rueda de Miami and consists of about 30 calls. [citation needed] It was codified in the 1970s.
The dance in its current form was the adaptation of the old "mitote" dance to Catholicism as a means of preserving some aspects of indigenous rite. It remained a purely religious ceremony until the mid 20th century when political and social changes in Mexico also gave it cultural significance as a folk dance.