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A plastic 45 rpm adapter that inserts into the large spindle hole of a 45 rpm record. A 45 rpm adapter (also known as a 45 rpm record insert, 45 rpm spindle adapter, spider, or 7-inch adapter in reference the usual size of a 45 rpm record) is a small plastic or metal insert that goes in the middle of a 45-rpm record so it can be played on the standard size spindle of a turntable.
The large hole also facilitates use in jukeboxes, which mechanically place the "45" onto a turntable with a conical spindle having a matching diameter at its base, making the placement operation easier, safer, and surer than it was with the small-diameter holes and spindles in 78 rpm jukeboxes.
As a consequence of being uncoated on the other side, they have a strong tendency to curl and now often require the use of a clip or weight around the turntable spindle to keep them sufficiently flat during play. A few releases had the performer's portrait printed on the uncoated paper side, or were imprinted there with advertising matter.
Audiophiles [9] eventually disdained record changers because of the perceived compromise in fidelity resulting from changes in tone arm angle with the height of the stack, and concerns about changers' seemingly rough treatment of discs, particularly due to slight but cumulative damage to the spindle holes as the records were dropped from a ...
The 4 Best Turntables to Buy Right Now Amazon "Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." Vinyl got a bad rap for a while there.
Garrard 401 turntable with SME 3009 tonearm. The Garrard 301 Transcription Turntable was the first transcription turntable that supported all extant commercial playback formats – the 33, 45 and 78 rpm records of the time. The first model was the Garrard 301. Oil and grease bearing versions were made.
The U.S Capitol is seen after U.S, President-elect Donald Trump called on U.S. lawmakers to reject a stopgap bill to keep the government funded past Friday, raising the likelihood of a partial ...
Linn presented an important challenge to that by claiming that the source (i.e. the turntable) was the most important part of the system. [1] Ivor Tiefenbrun has talked about how Sondek derives from the term “sound deck” to emphasise the revolutionary concept that the turntable, the “deck”, is responsible for the sound quality. [9]