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A Claddagh ring (Irish: fáinne Chladaigh) is a traditional Irish ring in which a heart represents love, the crown stands for loyalty, and two clasped hands symbolize friendship. [ 1 ] [ 2 ] The design and customs associated with it originated in Claddagh , County Galway .
Due to its presence in insular Celtic art, Celtic Reconstructionists use the triquetra either to represent one of the various triplicities in their cosmology and theology (such as the tripartite division of the world into the realms of Land, Sea, and Sky), [6] or as a symbol of one of the specific Celtic triple goddesses – for example the ...
Celtic knots (Irish: snaidhm Cheilteach, Welsh: cwlwm Celtaidd, Cornish: kolm Keltek, Scottish Gaelic: snaidhm Ceilteach) are a variety of knots and stylized graphical representations of knots used for decoration, used extensively in the Celtic style of Insular art.
The Luckenbooth brooch has motifs similar to the Claddagh ring, also using the heart and crown. Heart-shaped brooches in parts of Europe date back to late medieval times, but this design probably did not appear in Scotland before the 17th century. [5] [6] Silver was the usual material, [1] [5] although gold heart brooches were made for wealthy ...
5,000 year-old triskelion on an orthostat at Newgrange. The triple spiral symbol, or three-spiral volute, appears in many early cultures: the first appeared in Malta (4400–3600 BCE); the second in the astronomical calendar of the megalithic tomb of Newgrange in Ireland built around 3200 BCE; [13] as well as on Mycenaean vessels.
The spirit of medicine, as imagined by Salomon Trismosin, 1582. The Caduceus became a symbol of alchemy and pharmacy in medieval Europe. Its first appearance as a medical symbol can be traced back to 1st−4th century CE in oculists' stamps that were found mostly in Celtic areas, such as Gaul, Germany and Britain, which had an engraving of the name of the physician, the name of the special ...
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Since the Celtic Revival, the ringed cross became an emblem of Celtic identity, in addition to its more traditional religious symbolism. [6] Modern interest in the symbol increased because of Alexander and Euphemia Ritchie. The two worked on the island of Iona in Scotland from 1899 to 1940 and popularised use of the Celtic cross in jewelry. [7]