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Symphony No. 40 in G minor, K. 550 was written by Wolfgang Amadeus Mozart in 1788. It is sometimes referred to as the "Great G minor symphony", to distinguish it from the "Little G minor symphony", No. 25 .
Another convention of G minor symphonies observed in Mozart's No. 25 and No. 40 was the choice of the subdominant of the relative key (B ♭ major), E ♭ major, for the slow movement; other non-Mozart examples of this practice include J. C. Bach Op. 6, No. 6, from 1769, Haydn's No. 39 (1768/69) and Johann Baptist Wanhal's G minor symphony ...
09:40 1773 Salzburg Symphony No. 24: Score and critical report (in German) in the Neue Mozart-Ausgabe; 183 173dB Symphony No. 25 "Little G minor" G minor: 23:33 1773 Salzburg Symphony No. 25: Score and critical report (in German) in the Neue Mozart-Ausgabe; 201 186a Symphony No. 29: A major: 26:18 1774 Salzburg
Symphony No. 40 (Michael Haydn), F major symphony, MH 507, Perger 32, by Michael Haydn, composed in 1789 Symphony No. 40 (Mozart) , G minor symphony by Wolfgang Amadeus Mozart, composed in 1788 Topics referred to by the same term
Another convention of G minor symphonies observed in Mozart's No. 25 and Mozart's No. 40 was the choice of E-flat major, the subdominant of the relative major B ♭, for the slow movement, with other examples including Joseph Haydn's No. 39 and Johann Baptist Wanhal's G minor symphony from before 1771. [3]
Symphony No. 2 (c. 1908) Carl Czerny: Symphony No. 6, Op. posth. (1854) [8] Carl Ditters von Dittersdorf: Symphony Grave g1 (by 1768) [9] Joachim Nicolas Eggert: Symphony No. 4 Ernst Eichner: Symphony, Op. 6 No. 2 (1771–72) Louise Farrenc: Symphony No. 3 , Op. 36 (1847) Anton Fils: Symphony (by 1760) [10] Eduard Franck: Symphony (1852-56 ...