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The song has been recorded (generally under the name "The Two Magicians") by a number of traditional folk artists, including A. L. Lloyd, Ewan MacColl, Martin Carthy, Dave Swarbrick, and John Roberts, as well as folk rock and folk jazz artists such as Galley Beggar, Steeleye Span, Spriguns of Tolgus, Pentangle, and Bellowhead.
How to Treat a Lady Knight Right (今まで一度も女扱いされたことがない女騎士を女扱いする漫画, Ima made Ichidomo Onna Atsukai sareta koto ga nai Onna Kishi o Onna Atsukai suru Manga) is a Japanese manga series written and illustrated by Kengo Matsumoto.
The Famous Flower of Serving-Men or The Lady Turned Serving-Man (Child 106, [1] Roud 199) is a traditional English language folk song and murder ballad. Child considered it as closely related to the ballad "The Lament of the Border Widow" or "The Border Widow's Lament". [2] "Unusually, it is possible to give a precise date and authorship to ...
This ballad is also known in Norse, Spanish, and Italian variants. [2] In a Scandinavian variant, "Harra Pætur og Elinborg" (CCF 158, TSB D 72), the hero set out on a pilgrimage, after asking the heroine, his betrothed, how long she would wait for him; she says, eight years.
Lady Knight Keladry is now an official Knight of the Realm. As war with the neighboring country of Scanra is declared, Kel finds herself in charge of a refugee camp. While she fears that her district commander, Lord Wyldon, has given her this assignment because he views her combat skills as inferior to those of other men, he disproves this notion.
The lady asks what reason there is for him to leave, and the bird sings that a man in bed with another man's wife should always leave quickly. The knight enters the bower and kills the lover. Sources and recordings
Eighteen Songs of a Nomad Flute (Chinese: 胡笳十八拍; pinyin: Hújiā Shíbā Pāi) are a series of Chinese songs and poems about the life of Han dynasty (202 BCE–220 CE) poet Cai Wenji (蔡文姬). The songs were composed by Liu Shang, a poet of the middle Tang dynasty (618–907 CE).
"The Boy and the Mantle" (Roud 3961, Child 29) is an Arthurian folk ballad. [1] Unlike the ballads before it, and like "King Arthur and King Cornwall" and "The Marriage of Sir Gawain" immediately after it in the Francis James Child collection, this is not a folk ballad but a song from professional minstrels.