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J. R. R. Tolkien's design for his son Christopher's contour map on graph paper with handwritten annotations, of parts of Gondor and Mordor and the route taken by the Hobbits with the One Ring, and dates along that route, for an enlarged map in The Return of the King [5] Detail of finished contour map by Christopher Tolkien, drawn from his father's graph paper design.
It provides many maps at different levels of detail, from whole lands to cities and individual buildings, and of major events like the Battle of the Pelennor Fields. The maps are grouped by period, namely the First, Second, and Third Ages of Middle-earth, with chapters on The Hobbit and The Lord of the Rings. A final chapter looks at geographic ...
Aman and Middle-earth were separated from each other by the Great Sea Belegaer, analogous to the Atlantic Ocean. The western continent, Aman, was the home of the Valar, and the Elves called the Eldar. [T 1] [1] Initially, the western part of Middle-earth was the subcontinent Beleriand; it was engulfed by the ocean at the end of the First Age. [1]
Arda began as a symmetrical flat disc, and was repeatedly transformed through cataclysmic interventions by the Valar and by the creator, Eru Ilúvatar.. Tolkien's stories chronicle the struggle to control the world (called Arda) and the continent of Middle-earth between, on one side, the angelic Valar, the Elves and their allies among Men; and, on the other, the demonic Melkor or Morgoth (a ...
Baynes's poster map helped to make the capital letter-only Uncial script the standard for Middle-earth maps. [3] Many later fantasy maps were influenced in style by the maps of Middle-earth. [3] In 1971, Baynes created another map for Allen and Unwin, entitled There and Back Again: A Map of Bilbo's Journey Through Eriador and Rhovanion.
The book comprises 51 two-colour maps (a general map of Middle-earth and 50 numbered maps) at various scales, all based on the original The Lord of the Rings maps drawn by Christopher Tolkien from his father's sketches. Each map is on a right-hand page in landscape format and depicts physical features in black and contour lines in red. Routes ...
John Boorman worked on a script for a single three-hour film of The Lord of the Rings, which he thought unworkable. [36] In 1969, John Boorman approached David Picker about an Arthurian epic; Picker instead commissioned him to do The Lord of the Rings as a single, three-hour film. [47] Boorman thought it impossible, but allowed himself to be ...
The Ring needs to be destroyed to save Middle-earth itself from destruction or domination by Sauron. The work builds up Middle-earth as a place that readers come to love, shows that it is under dire threat, and – with the destruction of the Ring – provides the "eucatastrophe" for a happy ending. The work is thus, Rosebury asserted, very ...