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Ganz kleine Nachtmusik (German for Quite (or Very) Little Night Music), K. 648, [1] also known as Serenade in C, [2] is a composition for string trio by Wolfgang Amadeus Mozart (1756–1791), written in the mid to late 1760s.
Wolfgang Amadeus Mozart [a] [b] (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period.Despite his short life, his rapid pace of composition and proficiency from an early age resulted in more than 800 works representing virtually every Western classical genre of his time.
Mozart left a huge production of dances for orchestra in different genres, including more than 100 minuets, over 30 contra dances, over 50 allemandes (Teitsch, Ländler, or German Dances), a gavotte (French folk dance) and ballet and pantomime music. In his production of minuets, Mozart generally followed Haydn's example, preferring the slow ...
12 Variations in E♭ major on the Romance "Je suis Lindor" from "Le Barbier de Seville" by Pierre Beaumarchais, music by Antoine-Laurent Baudron, K. 354 (Paris, 1778) 6 Variations in F major on the aria "Salve tu, Domine" from the opera "I filosofi immaginarii" by Giovanni Paisiello , K. 398 (Vienna, 1783)
Mozart completed the concerto in January 1777, nine months after his Piano Concerto No. 8 in C major and with few significant compositions in the intervening period. [1] He composed the work for Victoire Jenamy, the daughter of Jean-Georges Noverre and a proficient pianist. [2] Mozart performed the concerto at a private concert on 4 October 1777.
The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions.
"Leck mich im Arsch" (German for "Lick me in the arse") is a canon in B-flat major composed by Wolfgang Amadeus Mozart, K. 231 (K. 382c), with lyrics in German. It was one of a set of at least six canons probably written in Vienna in 1782. [1]
First page of the manuscript of Mozart's Adagio and Rondo K.617 in the Stefan Zweig collection of the British Library (Zweig MS 61) The Adagio and Rondo, K. 617, is a quintet composed by Wolfgang Amadeus Mozart for glass harmonica, flute, oboe, viola and cello. [1]