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Baroque sculpture is the sculpture associated with the Baroque style of the period between the early 17th and mid 18th centuries. In Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and energy of human forms—they spiralled around an empty central vortex, or reached outwards into the surrounding space.
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
He is sometimes referred to as Jean-Baptiste II Lemoyne or "the younger" to distinguish him from his uncle of the same name, another sculptor, Jean-Baptiste Lemoyne the Elder. [3] He received the prix de Rome awarded by the Académie royale de peinture et de sculpture, but remained in Paris to aid his blind father. He became a member of the ...
One last difference between Baroque and Rococo is the interest that 18th century aristocrats had for East Asia. Chinoiserie was a style in fine art, architecture and design, popular during the 18th century, that was heavily inspired by Chinese art, but also by Rococo at the same time. Because traveling to China or other Far Eastern countries ...
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Rococo architecture, prevalent during the reign of Louis XV in France from 1715 to 1774, is an exceptionally ornamental and exuberant architectural style characterized by the use of rocaille motifs such as shells, curves, mascarons, arabesques, and other classical elements.
Sculptors of the Rococo style, an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding, and trompe-l'œil frescoes to create surprise and the illusion of motion and drama.
Fort, Ilene Susan, The Figure in American Sculpture: A Question of Modernity, Los Angeles County Museum of Art & University of Washington Press, Los Angeles, CA 1995; Gadzinski, Susan James and Mary Mullen Cunningham, American Sculpture in the Museum of American Art of the Pennsylvania Academy of Fine Arts, Museum of American Art of the ...