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Root modeled the neck after a Jackson/Charvel style neck. It is a maple neck with either a maple fretboard or an ebony fretboard. It has a 12" (305mm) radius and Dunlop jumbo frets. The neck is finished with Satin Urethane making it feel soft. The Nut Width is 1.650" (42mm) thick. The nut is made of synthetic bone. The scale length is 25.5"(648mm).
He can be seen holding the guitar on the cover of his albums Born to Run (1975), Live 1975–85 (1986), Human Touch (1992), and Greatest Hits (1995). [15] Springsteen's guitar is a combination of an Esquire neck and Telecaster body. He bought the guitar in 1971 in Belmar, NJ, for 185 dollars. David Hekhouse of The Tearaways tours with a 1959 ...
Often the edges of the guitar around the neck and body and down the middle of the back are inlaid. Skunk stripe inlay. Because some electric guitars (like the Fender Telecaster and Stratocaster) do not have a separate fretboard under which they can fit a truss rod, they fit it in the back of the neck and cover it with a strip of dark wood. This ...
The Squier Telecaster Custom II includes two Duncan Designed P-90 pickups instead of humbuckers. Both models have 22 fret maple necks and were originally offered in either yellow or black with 3 ply black-white-black scratch plates. Controls on both models consist of two tone and two volume controls with a three way toggle switch on the upper bout.
The Telecaster's neck also features the "Micro-Tilt" angle adjustment device located in the heel of the neck, similar to other Fender models of the period. The body shape was similar to other Telecaster models of the era, with one minor difference – a "belly cut" contour similar to that featured on all Stratocasters was added to the back of ...
Telecaster Custom was introduced just around the time that Fender began to lose its reputation as a quality instrument company. Blighted with Fender's allegedly unstable 3 bolt adjustable neck joint and the characteristic 1970's style “notchless” upper cutaway, the Custom was also tarnished by negative perceptions surrounding the Pre/Post-CBS quality control debate.