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The entry hall features marble tile, hand-painted murals on the walls, a porcelain Swedish stove, and a dramatic spiral staircase that leads to the second level. On that level are the kitchen and what the Lunts called the Flirtation Room, which leads to other parts of the house, including the Music Room, with a fireplace and hand-painted murals ...
The term Brick Gothic is used for what more specifically is called Baltic Brick Gothic or North German Brick Gothic. That part of Gothic architecture , widespread in Northern Germany , Denmark , Poland and the Baltic states , is commonly identified with the sphere of influence of the Hanseatic League .
The Dining Room features pink Numidian marble and gilt bronze capitals and trophies. The fireplace is a replica of the one in the Salon d'Hercule at Versailles. The ceiling is decorated painted with a hunting and fishing motif, with an 18th-century French ceiling in the center. [5] Mrs. Vanderbilt's Bedroom, on the second floor, is in the Louis ...
The house has oak panelling and plaster ceilings dating from the 17th century, with 18th-century marble fireplaces. There is a painted coat of arms of William Calley dated 1663 over the original fireplace in a first-floor bedroom. Two other rooms have 17th-century paintwork on the walls, including a Jacobean-style panelling design. Part of a ...
The vestibule had a set of marble steps, a wall with a tile mosaic band, [58] [68] and a groin-vaulted ceiling. [62] Perpendicular to the vestibule was a marble-clad hall measuring 42 by 28 feet (12.8 by 8.5 m). [18] The hall had three Siena-marble arches sculpted by Saint-Gaudens, as well as a fireplace with a carved marble mantel.
The adjacent parlors are largely furnished as one, with twin black marble fireplaces, gilded mantel mirrors and chandeliers that hang from the 14 feet (4.3 m) high ceilings. The wide doorway, that can be closed off as needed, between the two rooms is ornately trimmed with fluted Ionic columns and an entablature with egg-and-dart molding.
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Inside the ballroom was a painted and gilted modern center table with a marble top, in addition to the main attraction at the rear of the room: the pipe organ. Above the fireplace, on the northern wall, was one of a pair of Rococo-style giltwood and composition pier mirrors, American, mid-19th century, nine feet high. [26]