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The word sounding is used for all types of depth measurements, including those that don't use sound, and is unrelated in origin to the word sound in the sense of noise or tones. Echo sounding is a more rapid method of measuring depth than the previous technique of lowering a sounding line until it touched bottom.
The echo-laden sound was then channeled back to the control room, where it was recorded on tape. The natural reverberation and echo from the hard walls of the echo chamber gave Spector's productions their distinctive quality and resulted in a rich, complex sound that, when played on AM radio, had a texture rarely heard in musical recordings ...
Acoustic wayfinding, the practice of using auditory cues and sound markers to navigate indoor and outdoor spaces; Animal echolocation, animals emitting sound and listening to the echo in order to locate objects or navigate; Echo sounding, listening to the echo of sound pulses to measure the distance to the bottom of the sea, a special case of sonar
The Italian word for "echo"; an effect in which a group of notes is repeated, usually more softly, and perhaps at a different octave, to create an echo effect égal (Fr.) Equal eilend (Ger.) Hurrying ein wenig (Ger.) A little einfach (Ger.) Simple emporté (Fr.) Fiery, impetuous en animant (Fr.) Becoming very lively en cédant (Fr.) Yielding en ...
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio.
The hand horn technique developed in the classical period, with music pieces requiring the use of covering the bell to various degrees to lower the pitch accordingly. Mozart's four Horn Concertos, Concert Rondo and Morceau de Concert were written with this technique in mind, as was the music both Beethoven and Brahms wrote for the horn.
Reverse echo and reverse reverb are sound effects created as the result of recording an echo or reverb effect of an audio recording played backwards. The original recording is then played forwards accompanied by the recording of the echoed or reverberated signal which now precedes the original signal.
Thus, in the first verse, Bowie's voice sounds close, warm, and present; by the end of the song, Visconti has mixed in a large amount of signal from all three microphones, giving Bowie's voice a strikingly reverberant sound. The original echo chamber at EMI's Abbey Road Studios was improved by Clive Robinson, site foreman at the time of ...