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  2. Backmasking - Wikipedia

    en.wikipedia.org/wiki/Backmasking

    WWE wrestler Al Snow had a theme song that had backmasking in it. The song was mostly instrumental, but at one point a clearly audible voice can be heard saying a line of gibberish. When the song is played backward, the gibberish is actually saying: "I AM THE ONE IN CONTROL." The message played on Al Snow's character as an unstable mad man.

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  4. List of backmasked messages - Wikipedia

    en.wikipedia.org/wiki/List_of_backmasked_messages

    Clearly audible reversed speech by singer Jimmy Urine; starts at 2:10 into the song and lasts until the end. The song speaks degradingly about angsty teenagers who look for backwards messages in music, and contains the lyrics "Play that record backwards / Here's a message yo for the suckas / Play that record backwards / And go fuck yourself."

  5. Martin Morning - Wikipedia

    en.wikipedia.org/wiki/Martin_Morning

    Martin Morning, the title character, is an otherwise ordinary nine-year-old boy, who finds himself transformed every morning into extraordinary forms. Grosmot is Martin's best friend and, despite Martin's misgivings, the biggest fan of his transformations and the subsequent adventures.

  6. Theme One - Wikipedia

    en.wikipedia.org/wiki/Theme_One

    Theme One is a 1967 instrumental piece by George Martin used from 1967 to the mid 1970s as the opening and closing theme tune for BBC Radio 1 and BBC Radio 2. Theme One was first played on Radio 2, immediately before Radio 1 began broadcasting independently, on the launch day of both stations, 30 September 1967 [1] (The Move's "Flowers in the Rain" was the first record played in full on Radio 1).

  7. The original breezy and beachy song can be heard during the opening of the show’s latest episode, as Martin’s Charles-Haden Savage performs the track — which he recorded in the ’90s for ...

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  9. Music! Music! Music! - Wikipedia

    en.wikipedia.org/wiki/Music!_Music!_Music!

    [1] [2] It became Brewer's signature song and earned her the nickname "Miss Music". It was released as the B-side to " Copenhagen " but eclipsed "Copenhagen" as a hit. It was also recorded by many artists on various labels and other hit versions in 1950 were by Carmen Cavallaro (reached No. 5), Freddy Martin (No. 5), Ames Brothers (No. 14 ...