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Structuralist film theory emphasizes how films convey meaning through the use of codes and conventions not dissimilar to the way languages are used to construct meaning in communication.
Two films may be from the same genre, but may well look different as a result of the film style. For example, Independence Day and Cloverfield are both sci-fi, action films about the possible end of the world. However, they are shot differently, with Cloverfield using a handheld camera for the entire movie. Films in the same genre do not ...
The easiest stylistic device to identify is a simile, signaled by the use of the words "like" or "as". A simile is a comparison used to attract the reader's attention and describe something in descriptive terms. Example: "From up here on the fourteenth floor, my brother Charley looks like an insect scurrying among other insects." (from "Sweet ...
For example, a formalist views standard Hollywood "continuity editing" for how it creates a comforting effect and non-continuity or how jump cut editing becomes disconcerting. [ citation needed ] A formalist considers the synthesis of several elements, such as editing, shot composition, and music.
Another example is found in Edith Wharton's The Age of Innocence. [2] Ellipsis is a common procedure in film narrative, where movement and action unnecessary to the telling of a story will often be removed by editing. For example, there would be no need to show a character standing up from a chair and walking the length of a room to open a door.
Although there is a commonly held view that Hitchcock treated women poorly, there is little evidence of this beyond the examples given by Tippi Hedren in The Birds. On the contrary, Hitchcock had many strong female characters within his movies, career women, who often triumphed over men and subverted sexual stereotypes.
In traditional linear movies, the author can carefully construct the plot, roles, and characters to achieve a specific effect on the audience. Interactivity, however, introduces non-linearity into the movie, such that the author no longer has complete control over the story, but must now share control with the viewer. There is an inevitable ...
A confessional is a stylistic device used in many reality television shows. It is a type of aside, consisting of cutaways to a close-up shot of one (or occasionally more) cast members talking directly to camera. Confessionals are used to provide narration, exposition, and commentary on ongoing action within the show. [1]