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Pallas Athena is a c. 1657 [1] oil-on-canvas painting by Rembrandt that belongs to the collection of Calouste Gulbenkian Museum in Lisbon. [2] A print of Pallas Athene in the 1659 parade for the marriage of Countess Henriette Catherine of Nassau to John George II of Anhalt-Dessau is similar in pose and costume
It is, however, still connected with Rembrandt's workshop and is grouped together with all the other versions. It was included in the 2011 exhibition "Rembrandt and the Face of Jesus" held in the museums of Detroit (DIA), Philadelphia (PMA) and Paris (Louvre) April 21, 2011 – February 12, 2012, no. 46.
Rembrandt created this painting as a pendant to the MET's portrait of a man, probably as a wedding pendant. Only a few pairs of pendant portraits by Rembrandt have survived. This pair came into the collection via the Mrs. H. O. Havemeyer bequest in 1929. This painting was documented by Hofstede de Groot in 1914, who wrote: 625.
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[4] [5] In turn Rembrandt travelled to Leeuwarden, where he was received by the painter Wybrand de Geest, who had married Saskia's niece. Saskia and Rembrandt were engaged on 5 June 1633, [6] and a year later Rembrandt asked permission to marry in Sint Annaparochie. He showed his mother's written consent to the schepen. On 2 July 1634 the ...
Full-length figures, almost half life-size. Signed on the left at foot, "Rembrandt f. 1645"; canvas, 46 1/2 inches by 36 inches. An old copy without the angels was in the possession of an English dealer in 1899, and afterwards in the possession of a New York dealer.
The Senses is a series of five oil paintings, completed c. 1624 or 1625 by Rembrandt, depicting the five senses. [1] The whereabouts of one, representing the sense of taste, is unknown. Another, representing smell, was only re-identified in 2015.
In the collection of Baron de Seilliere, Paris. In the collection of the Princesse de Sagan, Paris; who sold it in 1891 to Cottier. In the possession of the New York dealer Cottier. In the collection of Frederick Ames, Boston, whose widow gave it to the Museum in 1893. In the Boston Museum." [2] This painting was donated along with its pendant: