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Pallas Athena is a c. 1657 [1] oil-on-canvas painting by Rembrandt that belongs to the collection of Calouste Gulbenkian Museum in Lisbon. [2] A print of Pallas Athene in the 1659 parade for the marriage of Countess Henriette Catherine of Nassau to John George II of Anhalt-Dessau is similar in pose and costume
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Before being sold, they were hung in a large hall in the Van Loon collection, described by Eugène Fromentin in 1877 with the remark that they were examples of Rembrandt at his best and were painted in the same period that Rembrandt painted his Anatomy Lesson of Dr. Nicolaes Tulp, traditionally marking the beginning of his career in Amsterdam.
The consortium sold several other paintings to other clients, including the Metropolitan Museum of Art in New York. The sale remained secret until November 4, 1933, when it was reported in The New York Times that several Hermitage paintings, including the Crucifixion and Last Judgement diptych by van Eyck, had been purchased by the Metropolitan ...
The two pots are on display in the museum. In 2021, The Rembrandt House Museum received a painting from Mr. and Mrs. Hoogsteder to support the museum during the Covid crisis. The new acquisition is the painting Shepherdess in a Landscape from c. 1641, made by Ferdinand Bol, one of Rembrandt's most famous pupils. The painting hangs in Rembrandt ...
It is, however, still connected with Rembrandt's workshop and is grouped together with all the other versions. It was included in the 2011 exhibition "Rembrandt and the Face of Jesus" held in the museums of Detroit (DIA), Philadelphia (PMA) and Paris (Louvre) April 21, 2011 – February 12, 2012, no. 46.
This bronze-cast representation [9] of the famous painting was on display for three-years before traveling to New York City, Moscow and Oranienbaum, Russia. In 2012, the bronze Night Watch sculptures returned to the redesigned square where they served as a magnet for visitors. In January 2013, the Rembrandtplein Entrepreneurs Foundation began a ...
Full-length figures, almost half life-size. Signed on the left at foot, "Rembrandt f. 1645"; canvas, 46 1/2 inches by 36 inches. An old copy without the angels was in the possession of an English dealer in 1899, and afterwards in the possession of a New York dealer.