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To create lead guitar lines, guitarists use scales, modes, arpeggios, licks, and riffs that are performed using a variety of techniques. [1] In rock, heavy metal, blues, jazz and fusion bands and some pop contexts as well as others, lead guitar lines often employ alternate picking, sweep picking, economy picking and legato (e.g., hammer ons, pull offs), which are used to maximize the speed of ...
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
Speed Mechanics for Lead Guitar (ISBN 0-7935-0962-9) is a guitar tutorial book by Stetina first published in 1990. It is designed to teach lead guitar techniques, how to practice and encourage evolving creativity.
By the late 1920s, guitarists like Roy Harvey and Johnny Crockett began using flatpicking techniques for lead guitar, often with significant influence from Ragtime, Jazz and Swing styles. Through the 1930s, the Delmore Brothers would greatly pioneer the development of flatpicking guitar with rapid picking and melody based leads.
The guitar is a transposing instrument; that is, music for guitars is notated one octave higher than the true pitch.This is to reduce the need for ledger lines in music written for the instrument, and thus simplify the reading of notes when playing the guitar.