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"Gente en la Calle" (English: "People in the Streets") is a song by Argentine singer-songwriter Fito Páez featuring vocals by Argentine singer Lali, from Páez's twenty-fourth studio album La Conquista del Espacio (2020). It was written by Páez and its producers Diego Olivero and Gustavo Borner.
De patitas a la calle (lit. ' From paws to the street ') is a 2020 Peruvian fantasy comedy film directed by Carlos Landeo and written by Adrián Ochoa. [1] It is the first Peruvian production where the protagonists are talking animals. [2] It premiered on November 27, 2020, in Peruvian theaters. [3]
Verbal Behavior is a 1957 book by psychologist B. F. Skinner, in which he describes what he calls verbal behavior, or what was traditionally called linguistics. [1] [2] Skinner's work describes the controlling elements of verbal behavior with terminology invented for the analysis - echoics, mands, tacts, autoclitics and others - as well as carefully defined uses of ordinary terms such as audience.
"La Calle" (English: The Street) is a song written, produced and performed by singer Dominican Republic Juan Luis Guerra and Colombian Juanes. The song was chosen as the fourth single from the eleventh album by Juan Luis Guerra, A Son de Guerra released for airplay on 1 September 2010.
La Calle, meaning 'the street' in the Spanish language, may refer to: "La Calle" (song) , a song written, produced and performed by Juan Luis Guerra and Juanes La Calle Stenger , a neighborhood located in San Benito, Texas
Ordinary language philosophy (OLP [1]) is a philosophical methodology that sees traditional philosophical problems as rooted in misunderstandings philosophers develop by distorting or forgetting how words are ordinarily used to convey meaning in non-philosophical contexts.
The Conlang Flag, a symbol of language construction created by subscribers to the CONLANG mailing list, which represents the Tower of Babel against a rising sun. A constructed language (shortened to conlang) [a] is a language whose phonology, grammar, orthography, and vocabulary, instead of having developed naturally, are consciously devised for some purpose, which may include being devised ...
La Movida Madrileña's central component was an aesthetic influenced by punk rock and synth-pop music, as well as visual schools such as dada and futurism. [1] The aesthetic permeated into the city's street fashion, photography, cartoons, and murals, [1] manifesting itself in bright colours, voluminous hair, unconventional and revealing clothing, and heavy makeup use among both genders.