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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A music box (American English) or musical box (British English) is an automatic musical instrument in a box that produces musical notes by using a set of pins placed on a revolving cylinder or disc to pluck the tuned teeth (or lamellae) of a steel comb.
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Concertinas (including the English concertina, Anglo concertina and bandoneon) play single notes (melody) on both left and right hands. The Indian harmonium remains an important instrument in many genres of Indian music, stemming from French-made hand-pumped harmoniums being brought to India by missionaries in the mid-19th century.
In music, a whip or slapstick is a clapper (percussion instrument) consisting of two wooden boards joined by a hinge at one end. When the boards are brought together rapidly, the sound produces a sound reminiscent of the crack of a whip. It is often used in modern orchestras, bands, and percussion ensembles.
The celesta (/ s ɪ ˈ l ɛ s t ə /) or celeste (/ s ɪ ˈ l ɛ s t /), also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave).
Purcell's orchestral music and keyboard music are, like Muffat's synthesis of the Italian and French style, a synthesis of the English and French style into a much more complex English style where the application of notes inégales to the music of Purcell and his contemporaries is essential to correct performance of the music.
Patrick Fyffe and George Logan devised the Hinge and Bracket act after they met performing at the Escort Club in Pimlico, London. Fyffe had already gained experience performing in his cabaret drag act as a glamorous soprano named Perri St Claire, and his character had appeared in small parts on television shows such as Z Cars and Doctor in the House, as well as the 1972 film version of Steptoe ...