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French music history dates back to organum in the 10th century, followed by the Notre Dame School, an organum composition style. Troubadour songs of chivalry and courtly love were composed in the Occitan language between the 10th and 13th centuries, and the Trouvère poet-composers flourished in Northern France during this period.
Later 15th- and early 16th-century figures in the genre included Johannes Ockeghem and Josquin des Prez, whose works cease to be constrained by formes fixes and begin to feature a pervading imitation (all voices sharing material and moving at similar speeds), similar to that found in contemporary motets and liturgical music. The first book of ...
The French composer Boulez abandoned the entire tonal (key-centered) tradition of Western music with a style called Serialism. Other composers explored electronic music (Stockhausen); chance-based or random music and indeterminacy ; and minimalism (Reich, Glass).
The popularity of French music in the rest of Europe declined slightly, yet the popular chanson and the old motet were further developed during this time. The epicenter of French music moved from Paris to Burgundy, as it followed the Burgundian School of composers. During the Baroque period, music was simplified and restricted due to Calvinist ...
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Music for a French Elevator and Other Short Format Oddities by The Books (often referred to as simply Music for a French Elevator) is a 2006 release by the Books.It is a compendium on mini CD of four pieces created for the "1%" art and sound installation in the Ministry of Culture in Paris, France in 2004.
Armengaud is the author of several publications about Erik Satie, Jean Dubuffet, Henri Dutilleux, Edison Denisov, as well as numerous articles on French music, Russian music, musical creation, pianistic interpretation, and some thirty or so discographic publications (integrals of Satie, Debussy, Poulenc, Roussel).
The French organ school formed in the first half of the 17th century. It progressed from the strict polyphonic music of Jean Titelouze (c. 1563–1633) to a unique, richly ornamented style with its own characteristic forms that made full use of the French classical organ .