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Gravity's Rainbow is a 1973 novel by the American writer Thomas Pynchon.The narrative is set primarily in Europe at the end of World War II and centers on the design, production and dispatch of V-2 rockets by the German military.
In the closing pages of Gravity's Rainbow, there is an apocryphal report that Tyrone Slothrop, the novel's protagonist, played kazoo and harmonica as a guest musician on a record released by The Fool in the 1960s (having magically recovered the latter instrument, his "harp", in a German stream in 1945, after losing it down the toilet in 1939 at ...
In the 20-page preface, Pynchon reflects on the development of his writing, with autobiographical details that have made it a rare source of information about his life. [38] Though almost universally accepted as a work of nonfiction, the introduction has also been scrutinized as if it were a short story or a genre-ambiguous piece that may ...
In 1973, Thomas Pynchon unleashed his mega-meta epic on an America in between two epochs. His novel captured the (dis)spirit of the age—and foretold much about the nation's future.
Slow Learner is the 1984 published collection of five early short stories by the American novelist Thomas Pynchon, originally published in various sources between 1959 and 1964.
The encyclopedic novel is a genre of complex literary fiction which incorporates elements across a wide range of scientific, academic, and literary subjects. The concept was coined by Edward Mendelson in criticism of Gravity's Rainbow by Thomas Pynchon, defined as an encyclopedia-like attempt to "render the full range of knowledge and beliefs of a national culture, while identifying the ...
In The Maximalist Novel: From Thomas Pynchon's Gravity's Rainbow to Roberto Bolano's 2666, [57] (2014) Stefano Ercolino characterised maximalism as "an aesthetically hybrid genre of the contemporary novel that develops in the second half of the twentieth century in the United States, then 'emigrates' to Europe and Latin America at the threshold ...
Having introduced the term in relation to Don DeLillo, Tom LeClair chose seven novels as the focus of The Art of Excess.They were: Gravity's Rainbow (by Thomas Pynchon), Something Happened (by Joseph Heller), J R (by William Gaddis), The Public Burning (by Robert Coover), Women and Men (by Joseph McElroy), LETTERS (by John Barth) and Always Coming Home (by Ursula Le Guin).