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Tate Britain, London Two Captured Danish Ships Entering Portsmouth Harbour is an 1807 maritime painting by the English artist Joseph Mallord William Turner . [ 1 ] It depicts two captured Danish ships of the line being brought into harbour by the Royal Navy at Spithead the major naval base off Portsmouth , Hampshire .
Tate Britain is the home of the annual and usually controversial Turner Prize exhibition, featuring four artists selected by a jury chaired by the director of Tate Britain. This is spread out over the year with the four nominees announced in May, the show of their work opened in October and the prize itself given in December.
Tate Britain, London The Departure of the Fleet is an 1850 history painting by the British artist J.M.W. Turner . [ 1 ] Inspired by Classical writings, it depicts the fleet of the Trojan Aeneas departing from Carthage [ 2 ] The Carthaginian Queen Dido and her attendants are on the left, watching the departure of the ships.
Tate Britain, London: 70.5 x 90.2 The Painting is attributed to Turner. It is highly likely to be a Turner work, and part of the Turner Bequest also. [3] Interior of a Romanesque Church: c.1795–1800 Tate Britain, London: 61 x 50.2 Fishermen at Sea: 1796 Tate Britain, London: 91.4 × 122.2 Diana and Callisto (after Wilson) 1796 Tate Britain ...
Tate Britain, London Entrance of the Meuse is an 1819 oil on canvas maritime painting by the British artist J.M.W. Turner . [ 1 ] The painting's full title is Entrance of the Meuse: Orange-Merchant on the Bar, Going to Pieces; Brill Church bearing S. E. by S., Masensluys E. by S. .
It was the subject of controversy at the time and even Turner's later supporter John Ruskin thought the use of colours was crude. [5] Today it is in the collection of the Tate Britain in Pimlico, having been acquired by the nation as part of the Turner Bequest in 1856. [6]
All four museums share the Tate Collection. One of the Tate's most publicised art events is the awarding of the annual Turner Prize to a British visual artist, which takes place at Tate Britain every other year (taking place at venues outside of London in alternate years). [3]
More recently, art historian Alexandra Wettlaufer wrote that the painting is one of Turner's "most famous, and most obscure, sublime depictions". [10] Currently in the collection of the Tate in London, it was on exhibition at the De Young Museum in San Francisco in 2015. [11]