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The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in the key of E ♭ , smaller than the B ♭ tenor but larger than the B ♭ soprano .
Sonata for Alto Saxophone and Piano, Op. 29 (1970)—Robert Muczynski [38] Variations on a Dorian Theme for alto saxophone and piano (1972)—Gordon Jacob; Four Moods for Alto Saxophone and Piano (1975)—Phil Woods; Sonata for Alto Saxophone and Piano (1979)—John Worley; Albanian Summer (1980)—Dave Smith; Divertimento (1982)—Charles ...
At the time Creston composed his sonata, French composers were leading the development of the classical saxophone. [11] The instrument suffered from a dearth of original concert repertoire: aside from Glazunov's Concerto, Debussy's Rhapsodie and Creston's own Suite, Leesons's recitals of the time were dominated by transcriptions of vocal and string music.
Dale Underwood, Dale Underwood – Alto Saxophone Kate Lewis – Piano. Golden Crest Records RE-7091, 1979 [1] Dale Underwood, Dale Underwood - Alto Saxophone Ron Chiles, Mary Jeanne Van Appledorn – Piano. Golden Crest Records RE-7101, 1982 [1] Dale Underwood, Classic Pastiche. Open Loop CD 009. 1991 [9]
Rhapsodie for saxophone and orchestra, L.98, also known as Rhapsodie mauresque or Rhapsodie orientale, is a piece for alto saxophone and accompaniment by Claude Debussy. Completed in solo and piano form in 1911, the piece is most well known through its 1919 orchestration of the accompaniment by Jean Roger-Ducasse .
The Saxophone Concerto was Adams's first composition following his three-hour oratorio The Gospel According to the Other Mary.Adams, whose father played alto saxophone in swing bands during the 1930s, has cited his early exposure to such jazz saxophonists as John Coltrane, Eric Dolphy, and Wayne Shorter as inspiration for the piece.
Alto Saxophone Improvisations 1979 is a solo album by American saxophonist and composer Anthony Braxton, recorded in 1978 and 1979 and released on the Arista label. [ 1 ] [ 2 ] The tracks were subsequently reissued on The Complete Arista Recordings of Anthony Braxton on Mosaic Records in 2008.
The saxophone then intertwines the melody with lyrical themes of the strings. This interaction results in tonal color. This part features tempo shifts. The saxophone then plays a cadenza that leads to the Fugato part. Syncopated rhythms are introduced in the orchestra. The saxophone soloist plays the melody which are taken up by the strings.