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The few women who survived included La Malinche the interpreter, Doña Luisa, and María Estrada. [2]: 302, 305–06 The event was named La Noche Triste ("The Night of Sorrows") on account of the sorrow that Cortés and his surviving followers felt and expressed at the loss of life and treasure incurred in the escape from Tenochtitlan.
When Cortés and his men, including those who had come under Narváez, returned, the Aztecs began full-scale hostilities against the Spaniards. The Spaniards had no choice but to retreat from the city, which they did on what is called the Sad Night ( La Noche Triste ), losing most of their men, who were either killed in the battle or were ...
La Noche Triste – The Sad Night. The flight of the Spanish from Tenochtitlan was a crushing setback for Cortés, and his army came just short of annihilation. It is still remembered as "La Noche Triste," The Night of Sorrows. Popular tales say Cortés wept under a tree the night of the massacre of his troops at the hands of the Aztecs.
The result of the battle was a victory for the Spanish, which allowed Cortés to reorganize his army, having suffered casualties a few days before in the episode known as La Noche Triste. A year later, by reinforcing his army with new men and supplies, and creating alliances with the indigenous peoples who had been subjugated by the Aztec ...
En la noche dichosa En secreto, que nadie me veia, Ni yo miraba cosa, Sin otra luz, y guia, Sino la que en el corazón ardia. Aquesta me guiaba Más cierto que la luz del mediodia, A donde me esperaba, Quien yo bien me sabia, En parte, donde nadie parecia. ¡Oh noche que guiaste, Oh noche amable más que el alborada; Oh noche que juntaste Amado ...
The victory of the Spanish over the natives and the founding of Santa María la Antigua del Darién, now located in a relatively calm region, earned Balboa authority and respect among his companions. They were increasingly hostile toward Alcalde Mayor Fernández de Enciso, whom they considered a greedy despot because of the restrictions he ...
La Nueva España is a set of six symphonic poems by Lorenzo Ferrero written between 1990 and 1999, which is dedicated to the Spanish conquest of Mexico (once called the New Spain) in 1519–21. The suite can be considered a kind of preparatory study to the opera La Conquista (Prague National Theatre, 2005). This story—says the composer—is ...
José María Tranquilino Francisco de Jesús Velasco Gómez Obregón, generally known as José María Velasco, (Temascalcingo, 6 July 1840 – Estado de México, 26 August 1912) was a 19th-century Mexican polymath, most famous as a painter who made Mexican geography a symbol of national identity through his paintings.