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The salons of early modern France were social and intellectual gatherings that played an integral role in the cultural development of the country. The salons were seen by contemporary writers as a cultural hub for the upper middle class and aristocracy, responsible for the dissemination of good manners and sociability.
The first renowned salon in France was the Hôtel de Rambouillet not far from the Palais du Louvre in Paris, ... The history of the salon is far from straightforward.
Indeed, according to Jolanta T. Pekacz, the fact women dominated history of the salons meant that study of the salons was often left to amateurs, while men concentrated on 'more important' (and masculine) areas of the Enlightenment. [27] Portrait of Mme Geoffrin, salonnière, by Marianne Loir (National Museum of Women in the Arts, Washington, DC)
From the seventeenth century to the early part of the twentieth century, artistic production in France was controlled by artistic academies which organized official exhibitions called salons. In France, academies are institutions and learned societies which monitor, foster, critique and protect French cultural production.
The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salon de Paris was essential for any artist to achieve success in France for at least the next 200 years.
The Salon of 1765 was an art exhibition that took place at the Louvre in Paris. One of the biannual Salon it took place during the reign of Louis XV and was overseen by the Académie Royale which at this time limited submissions to the Salon largely to it own members. As with previous salons, the art critic Denis Diderot was an influential ...
Long hair remained in vogue throughout the 18th century, but not in all circles, as evidenced by a macabre party theme that emerged in 1795, following a period of the French Revolution known as ...
The Massacre at Chios by Eugène Delacroix. Amongst French painters there was anticipation over the return of Horace Vernet who had drawn interest at the Salon of 1819.When two of his paintings had been rejected by the committee for the 1822 Salon, he had responded by withdrawing all his entries bar one and went on to hold a private exhibition in his own studios which was a great success. [2]