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Light is defined as life, as seen in John 1:4, "In him was life; and the life was the light of men". Those who have faith through him will have eternal life. In John's Gospel, "darkness is present in the absence of light; the absence of eternal life," and darkness referring to death, spiritually. [5]
Laird is a Scottish hereditary feudal dignity ranking below a Scottish Baron but above an Esquire; Esquire is a rank of gentry originally derived from Squire and indicating the status of an attendant to a knight, an apprentice knight, or a manorial lord; [45] it ranks below Knight (or in Scotland below Laird) but above Gentleman. [e] [f]
[11] The term inward light was first used by early Friends to refer to Christ's light shining on them; the term inner light has also been used since the twentieth century to describe this Quaker doctrine. Rufus Jones, in 1904, wrote that: "The Inner Light is the doctrine that there is something Divine, 'Something of God' in the human soul". [12]
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
The latest image is a stark contrast to how He is portrayed in paintings and pictures who appears leaner with long flowy hair. Earlier this year a picture re-emerged that showed what Jesus might ...
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Showing Christ "hovering" above the tomb was an Italian innovation of the Trecento, and remained mostly found in Italian art until the late 15th century. One of the claimants to be the earliest surviving works to show this iconography is the well-known fresco by Andrea da Firenze in the Spanish Chapel of the Basilica of Santa Maria Novella in ...
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