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Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
Frank Wright (July 9, 1935 – May 17, 1990) [1] was an American free jazz musician, known for his frantic style of playing the tenor saxophone.Critics often compare his music to that of Albert Ayler, although Wright "offers his honks and squawks with a phraseology derived from the slower, earthier funk of R&B and gospel music."
Premier Solo andante et bolero for tenor saxophone and piano (1866)—Jules Demersseman; Brasiliana No. 7 for Tenor Saxophone and Piano (1956)—Radamés Gnattali; Sonata for Tenor Saxophone and Piano (1967)—James Di Pasquale; Sonatina for Tenor Saxophone and Piano (1969/95)—Bertold Hummel; Sonata for Tenor Saxophone and Piano (1974 ...
The tenor saxophone became best known to the general public through its frequent use in jazz music. It was the pioneering genius of Coleman Hawkins in the 1930s that lifted the tenor saxophone from its traditional role of adding weight to the ensemble and established it as a highly effective melody instrument in its own right. Many innovative ...
"Lester Leaps In" is a jazz standard originally recorded by Count Basie's Kansas City Seven in 1939. [1] The composition, credited to the group's tenor saxophone player Lester Young, is a contrafact based on the chord progression of "I Got Rhythm", and serves as a vehicle for interweaving solos by Young and Basie.
Jazz Sonata, for piano A Jazz Symphony Piano Sonata No. 4 "Jazz" Malcolm Arnold: 1954 1959 1974 Concerto for Harmonica and Orchestra, Op. 46 Concerto for Guitar and Orchestra, Op. 67 Concerto No. 2 for Clarinet and Orchestra, Op. 115 Larry Austin: 1960 1961 1971 Fantasy on a Theme by Berg, for jazz orchestra: 5 saxs, 5 tpts, 4 trbns, perc set ...